After searching the residences in Liberty the town of Riccione, in particular on the villa Antolini and Arch. Mario Mirko Vucetich, I chose to publish a book on the beach of Riccione through stories, pictures and postcards of the time. From swimwear, the first holiday-makers, etc. ... 
A story that began long ago, from childhood of a child who has a night had a strange dream. Tell us a bit 'mysterious bond with your Villa Antolini. A second grade child is so many dreams and his ability to dream is directly proportional to forget his dream adventures. Some details of a house appeared in one of the many dreams, however, remained indelibly engraved in my mind: the arms of a chandelier of glowing glass multicolori, una scala sinuosa con una balaustra in legno i cui decori mi suggerivano la lettera esse del mio cognome, delle insolite finestrelle del piano superiore della casa che sembravano farmi l’occhiolino furono da allora in poi gli elementi essenziali della casa che divenne il set privilegiato di molte mie fantastiche avventure. Quando alcuni anni dopo, essendomi trasferito dalla zona Fontanelle di Riccione all’Abissinia, cominciai ad esplorare il territorio vicino alla mia nuova abitazione, si verificò l’incontro che ha cambiato la mia vita, cioè scoprii villa Antolini, l’esatto corrispondente della casa di quel sogno di bambino. Sorprende e fa sorridere anche me il fatto che parli di questo evento come dell’incontro con a beautiful woman: a fascinating class of the subject in question and some emotions that made me live, I must admit, are worthy of comparison, but for the rest of that passion "to see how much I do not leave" does not exclude others, I share with my peers.
've followed the path of curiosity and study put you on track architect Vucetich. What are you most passionate about his life and his figure?
As a child I loved playing with puzzles. Here, I would say that living this adventure was how to make a puzzle, in which anchor after piece gradually emerged a figure increasingly diverse Vucetich man and artist. I was fascinated by the versatility of interest and the versatility of the artistic genius of Vucetich, who has combined a love of art to life and with that came down with full awareness, participation and curiosity in his time, drawing also from the historical events, from cultural debate ideas to grow as a man and artist. For example, as a young future as the movement has drawn its ability to look ahead, to be open to innovations, but did not "fire the museums", that has not renounced the great lesson of the past, since, as I have shown in the book even contains a quote from the villa Antolini Borromini.
You have created a site that takes care of the villas Riccione, and have built a collection of vintage postcards. What of that season and artistic past of your city that attracts you despite your young age?
All traces of the past attract me. I am aware that it can grow "on the shoulders of giants" and that the anxiety of modernity of us young people should not lead us to snub the lesson of the past. Riccione Being a country with few artifacts of the past, at least compared to other places however, where every square meter is an open air museum, I think we should rescue from men and from the destroyer of what little time we have. I like some vintage postcards because return the picture and sometimes the spirit of an era not so distant in time, but far away in the manner and spirit, and I think they that Riccione would have been even better if many buildings were saved, restored, but not demolished, such as Dante, the theater in the center.
There are many little gems in our city of liberty left to the degradation, will you tell us somewhere that deserves to be saved and retrieved as soon as possible?
A significant example of the need to save what little good that is left is the pension Florence, between Via Battisti and Via Trento Trieste, is currently in a state of neglect and its sophisticated decor flowers on the gate, and especially on the walls should be saved before the briny moisture corrode. The whole area of \u200b\u200bRiccione Abyssinia, but also the Alba area is full of little gems, many of which have been mentioned in my book, most houses inhabited only in summer, which in some cases may to be demolished to make way for the modern small apartment buildings, as has often happened in the past. The city administration should therefore be very careful to grant permission because, from my point of view, we should allow the possibility of restoring without altering the external appearance of some buildings that bear witness to an era and a living style. There is plenty of room for blocks beyond the national! The largest part of Riccione tourism is expected to remain unchanged as possible in its buildings, its traditional appearance and in saying this, while praising the city for the restoration of Villa Franceschi, on the other I also want to raise public awareness on the need to restore even the Grand Hotel, and if it is too expensive to be reborn as a hotel, but it would be wonderful, the City should at least bear the cost of paint and rearrange the broken glass, otherwise not in the center We offer a beautiful image of Riccione for tourists.
think that our coast is likely to have the liberty of the first houses a heritage to preserve and to enhance attraction? What are your future plans?
Absolutely. You could make a guided tour through road signs, through certain streets of Riccione that are interesting buildings which would constitute a "walk in the past", as there are "ways of the old flavors, you could create the way, if not the oldest, least of old lifestyles. For my part, I intend in future work even on Vucetich, detect and classify more of his work to achieve a comprehensive monograph on him.
What would you do when you grow, you will follow in the footsteps of Vucetich?
grow up what will I do? I'm gaining some skills in graphic design, painting, making sculptures, some antique furniture restoration and I attend the Academy di Belle Arti di Rimini, everything that smacks of old attracts me, but to follow the example of Vucetich, I also look very carefully on this, particularly on the current phenomena of contemporary art.
Isabella Leardini
"A Season in Riccione of Liberty" was born from a necessity in life. Each book comes from
''Una stagione del Liberty a Riccione” è dedicato a Villa Antolini, è la mia guida creativa negli ambienti di quel monumento in stile Liberty a Riccione davvero raro.
una necessità culturale o economica o spirituale. Oppure da tutte queste necessità messe assieme Io penso che il mio libro nasca da un bisogno dell’anima e del cuore insieme.
E’ stata una voce della mente, il rumore del mio silenzio che chiedeva di essere ascoltato. E’ come quando un artista comincia a dipingere a painting ... the problem is that I was there in that painting over, and perhaps, I thought that continuing to write, to enrich the color of my picture, I could find a way to get out.
Each book is always the realization of a dream. And like all dreams require a good dose of courage, determination, foresight. Beautiful things, if you do not dream of before, are unlikely to come true.
The best thing in life is surely when dreams turn into projects and projects become reality. Each of us, all over the world, is given the opportunity to dream: it is as if everyone had been given permission to think big, dream big. It is the possibility to realize a dream that makes life interesting. When we dream, we can see what no one else sees, we see what all the others choose not to see, as we see the world anew every day. I have dreams of their ability to make the impossible possible. Sometimes I think that everything I do is just an exercise in vanity, it's just one more reason to boast. When this feeling comes over me I think that whenever we reach a new goal, whenever we try to be better than what we are, even as everything around us becomes better. It is when we work for others, when we write for our readers, we become better people. When something evolves, everything that has also evolved with it next. Every goal, every dream come true requires effort, commitment and sacrifice. And the more you get closer to their dream, the more things become difficult. And to make a difference at this time will be the perseverance and courage.
I still think that books are not only arise from a burst of creativity, but also by an excess of love which is love for their fellow humans. Each author in his book hides a piece of his heart: the readers have the responsibility to find out. Einstein used to say: "All parts of reality are the 'expression of a single higher order of extreme beauty and beauty justifies its existence." And' the mysterious chain that binds all things. He says the third law of motion: "For every action there is an equal and opposite reaction", ie the same intensity, but facing the one who has put this love. It 's like when you give us a kiss on the neck: the thrill quickly reaches the heart strings and mirrors all around.
The most interesting thing about literature is its ability to give life to objects, because there is a world that exists because there is and a world that would not exist if someone did not create.
A strong thanks to all those who believed in me and gave me this important opportunity, my family, the publisher Maggs (in particular to Dr. Gabriele Semprini and Equal Gabriella), my team for their support and excellent organization, the gallery Albanian Vicenza, mayors, councilors come and municipal, provincial and regional support for the Geat, the real estate agent Daniel Pesavento, BBCC Onlus association of Venice and private sponsors .
A special thanks to the heirs of Mirko Vucetich, owners of the villas Vucetich and residences Riccione (particularly the mayor of the Villa Antolini) and all those who have given me the exclusive publication of unpublished material.
At the'' Philatelic Numismatic Conference''held at the Palazzo dei Congressi Riccione at 11:12 on 10 September 2010, Andrea Speziali designed the postmark depicting villa Antolini, a among the most important houses of the coast. It was designed by Mirko Vucetich (originally Dalmatian) in 1923 for the spouses and American Dante Antolini Egle Massei. The 
