A story that began long ago, from childhood of a child who has a night had a strange dream. Tell us a bit 'mysterious bond with your Villa Antolini. A second grade child is so many dreams and his ability to dream is directly proportional to forget his dream adventures. Some details of a house appeared in one of the many dreams, however, remained indelibly engraved in my mind: the arms of a chandelier of glowing glass multicolori, una scala sinuosa con una balaustra in legno i cui decori mi suggerivano la lettera esse del mio cognome, delle insolite finestrelle del piano superiore della casa che sembravano farmi l’occhiolino furono da allora in poi gli elementi essenziali della casa che divenne il set privilegiato di molte mie fantastiche avventure. Quando alcuni anni dopo, essendomi trasferito dalla zona Fontanelle di Riccione all’Abissinia, cominciai ad esplorare il territorio vicino alla mia nuova abitazione, si verificò l’incontro che ha cambiato la mia vita, cioè scoprii villa Antolini, l’esatto corrispondente della casa di quel sogno di bambino. Sorprende e fa sorridere anche me il fatto che parli di questo evento come dell’incontro con a beautiful woman: a fascinating class of the subject in question and some emotions that made me live, I must admit, are worthy of comparison, but for the rest of that passion "to see how much I do not leave" does not exclude others, I share with my peers.
've followed the path of curiosity and study put you on track architect Vucetich. What are you most passionate about his life and his figure?
As a child I loved playing with puzzles. Here, I would say that living this adventure was how to make a puzzle, in which anchor after piece gradually emerged a figure increasingly diverse Vucetich man and artist. I was fascinated by the versatility of interest and the versatility of the artistic genius of Vucetich, who has combined a love of art to life and with that came down with full awareness, participation and curiosity in his time, drawing also from the historical events, from cultural debate ideas to grow as a man and artist. For example, as a young future as the movement has drawn its ability to look ahead, to be open to innovations, but did not "fire the museums", that has not renounced the great lesson of the past, since, as I have shown in the book even contains a quote from the villa Antolini Borromini.
You have created a site that takes care of the villas Riccione, and have built a collection of vintage postcards. What of that season and artistic past of your city that attracts you despite your young age?
All traces of the past attract me. I am aware that it can grow "on the shoulders of giants" and that the anxiety of modernity of us young people should not lead us to snub the lesson of the past. Riccione Being a country with few artifacts of the past, at least compared to other places however, where every square meter is an open air museum, I think we should rescue from men and from the destroyer of what little time we have. I like some vintage postcards because return the picture and sometimes the spirit of an era not so distant in time, but far away in the manner and spirit, and I think they that Riccione would have been even better if many buildings were saved, restored, but not demolished, such as Dante, the theater in the center.
There are many little gems in our city of liberty left to the degradation, will you tell us somewhere that deserves to be saved and retrieved as soon as possible?
A significant example of the need to save what little good that is left is the pension Florence, between Via Battisti and Via Trento Trieste, is currently in a state of neglect and its sophisticated decor flowers on the gate, and especially on the walls should be saved before the briny moisture corrode. The whole area of \u200b\u200bRiccione Abyssinia, but also the Alba area is full of little gems, many of which have been mentioned in my book, most houses inhabited only in summer, which in some cases may to be demolished to make way for the modern small apartment buildings, as has often happened in the past. The city administration should therefore be very careful to grant permission because, from my point of view, we should allow the possibility of restoring without altering the external appearance of some buildings that bear witness to an era and a living style. There is plenty of room for blocks beyond the national! The largest part of Riccione tourism is expected to remain unchanged as possible in its buildings, its traditional appearance and in saying this, while praising the city for the restoration of Villa Franceschi, on the other I also want to raise public awareness on the need to restore even the Grand Hotel, and if it is too expensive to be reborn as a hotel, but it would be wonderful, the City should at least bear the cost of paint and rearrange the broken glass, otherwise not in the center We offer a beautiful image of Riccione for tourists.
think that our coast is likely to have the liberty of the first houses a heritage to preserve and to enhance attraction? What are your future plans?
Absolutely. You could make a guided tour through road signs, through certain streets of Riccione that are interesting buildings which would constitute a "walk in the past", as there are "ways of the old flavors, you could create the way, if not the oldest, least of old lifestyles. For my part, I intend in future work even on Vucetich, detect and classify more of his work to achieve a comprehensive monograph on him.
What would you do when you grow, you will follow in the footsteps of Vucetich?
grow up what will I do? I'm gaining some skills in graphic design, painting, making sculptures, some antique furniture restoration and I attend the Academy di Belle Arti di Rimini, everything that smacks of old attracts me, but to follow the example of Vucetich, I also look very carefully on this, particularly on the current phenomena of contemporary art.
Isabella Leardini
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